![]() Pornographic tropes and works, as well as additional content deemed inappropriate for coverage, were also removed from the site following the incident. ThinkProgress additionally condemned Google AdSense itself for "providing a financial disincentive to discuss" such topics. Feminist blog The Mary Sue criticized this decision, as it censored documentation of sexist tropes in video games and young adult fiction. ![]() In a separate incident in 2012, in response to other complaints by Google, TV Tropes changed its guidelines to restrict coverage of sexist tropes and rape tropes. The site separated NSFG articles (Not Safe for Google) from SFG articles (Safe for Google) in order to allow discussion of these kinds of tropes. In October 2010, in what the site refers to as "The Google Incident", Google temporarily withdrew its AdSense service from the site after determining that pages regarding adult and mature tropes were inconsistent with its terms of service. It also can be used for recommending lesser-known media on the "Needs More Love" page. TV Tropes does not have notability standards for the works it covers. It has used its informal style to describe topics such as science, philosophy, politics, and history under its Useful Notes section. Articles on the site often relate to real life or point out real situations where certain tropes are applied. It renders many other subjects, including Internet works such as Wikipedia (often referred to in a tongue-in-cheek way as "The Other Wiki"). Initially focused on the TV series Buffy the Vampire Slayer, TV Tropes has since expanded their coverage of many forms of media, including fan fiction. He sold the site in 2014 to Drew Schoentrup and Chris Richmond, who then launched a Kickstarter to overhaul the codebase and design. TV Tropes was founded in 2004 by a programmer under the pseudonym "Fast Eddie." He described himself as having become interested in the conventions of genre fiction while studying at MIT in the 1970s and after browsing Internet forums in the 1990s. Registration is now mandatory for all other activities besides viewing the website. Before October 2010, it was possible to edit anonymously. The TV Tropes website runs on its own wiki engine software, a heavily modified version of PmWiki, but is not open source. In July 2012, TV Tropes modified its license to allow only non-commercial distribution of its content but continued to host the prior submissions under a new distribution license. The nature of the site as a provider of commentary on pop culture and fiction has attracted attention and criticism from several web personalities and blogs.įrom April 2008 until July 2012, TV Tropes published free content. Since its establishment in 2004, the site has shifted focus from covering various tropes to those in general media, toys, writings, and their associated fandoms, as well as some non-media subjects such as history, geography, and politics. The report is based on feedback from over 600 Singapore-based respondents aged 15–45 from SGAG’s in-house research panel, as well as qualitative insights from HEPMIL Creators’ Network, supported by TrendWatching’s insights and data.TV Tropes is a wiki website that collects and documents descriptions and examples of plot conventions and devices, which it refers to as tropes, within many creative works. ![]() Sponsored content can be polarising but there are ways to engage and retain audiences.Content that is relatable, humorous or aligned to social causes is more likely to garner engagement from online audiences.With decreasing attention spans, brands will have to create content that is utilitarian, relatable and personal.Online audiences do not want to spend too much effort in consuming content online the future of video is to go short.During COVID-19, 77% of consumers in Singapore spent more time on social media, with highest growth in adoption for TikTok. ![]() Understanding content and engagement trends provides brands and marketers with opportunities in a transformed digitised world. That is one of the key trends uncovered by Navigating Social Media in a Post-Pandemic World, from SGAG and TrendWatching.īrands can play a big part in consumers’ digital social lives by engaging them in ways that meaningfully address their current needs and expectations. Gen Z media use Marketing to Gen Z Marketing to millennialsĬreating experiences virtually is important in engaging Singapore’s millennials and Gen Z audiences who are spending up to a third of their day online seeking information and entertainment, a new report says, ![]()
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